Incident Type: stolenCrime Category: paintingsMaker: Childe HassamPeriod: 1914Materials: Oil on canvasMeasurements: canvas: 28 1/8" x 36 1/4"framed: 36 1/2" x 44 1/2"
Incident Type: stolenCrime Category: paintingsMaker: Mang Hang HoPeriod: 1980Materials: watercolor and pencil on paperMeasurements: width 19.75 in; height 14.88 in
77 Million Paintings Mac Download
Incident Type: stolenCrime Category: paintingsMaker: Mang Hang HoPeriod: 1980Materials: watercolor and pencil on paperMeasurements: width 13.5 in; height 10 in
Incident Type: stolenCrime Category: paintingsMaker: Hang Mang HoPeriod: 1987Materials: watercolor and pencil on paperMeasurements: height 23.63 in; width 18 in
Incident Type: stolenCrime Category: paintingsMaker: Mang Hang HoPeriod: 1991Materials: watercolor and pencil on paperMeasurements: height 19.63 in; width 13.5 in
Incident Type: stolenCrime Category: paintingsMaker: Mang Hang HoPeriod: 1990Materials: watercolor and pencil on paperMeasurements: height 15.5 in; width 11.75 in
Incident Type: stolenCrime Category: paintingsMaker: Mang Hang HoPeriod: 1988Materials: water color and pencil on paperMeasurements: width 15 in; height 20 in
Incident Type: stolenCrime Category: paintingsMaker: Mang Hang HoPeriod: 1986Materials: watercolor and pencil on paperMeasurements: height 20 in; width 14.88 in
Incident Type: stolenCrime Category: paintingsMaker: Mang Hang HoPeriod: 1984Materials: watercolor and pencil on paperMeasurements: length 10 in; width 8.25 in
Incident Type: stolenCrime Category: paintingsMaker: French or Italian BaroquePeriod: 17th-18th c. French or Italian BaroqueMaterials: oil on canvasMeasurements: Approximately 60" x 72"
In early 2006, Eno collaborated with David Byrne again, for the reissue of My Life in the Bush of Ghosts in celebration of the influential album's 25th anniversary. Eight previously unreleased tracks recorded during the initial sessions in 1980/81, were added to the album.[43]An unusual interactive marketing strategy was employed for its re-release, the album's promotional website features the ability for anyone to officially and legally download the multi-tracks of two songs from the album, "A Secret Life" and "Help Me Somebody". This allowed listeners to remix and upload new mixes of these tracks to the website for others to listen and rate them.
In late 2006, Eno released 77 Million Paintings, a program of generative video and music specifically for home computers. As its title suggests, there is a possible combination of 77 million paintings where the viewer will see different combinations of video slides prepared by Eno each time the program is launched. Likewise, the accompanying music is generated by the program so that it's almost certain the listener will never hear the same arrangement twice. The second edition of "77 Million Paintings" featuring improved morphing and a further two layers of sound was released on 14 January 2008. In June 2007, when commissioned in the Yerba Buena Center for the Arts, San Francisco, California, Annabeth Robinson (AngryBeth Shortbread) recreated 77 Million Paintings in Second Life.[44]
"I was delighted to find this other way of using video because at last here's video which draws from another source, which is painting ... I call them 'video paintings' because if you say to people 'I make videos', they think of Sting's new rock video or some really boring, grimy 'Video Art'. It's just a way of saying, 'I make videos that don't move very fast."[77]
In 2013, Eno created two permanent light and sound installations at Montefiore Hospital in Hove, East Sussex, England.[114] In the hospital's reception area "77 Million Paintings for Montefiore" consists of eight plasma monitors mounted on the wall in a diagonally radiating flower-like pattern. They display an evolving collage of coloured patterns and shapes whilst Eno's generative ambient music plays discreetly in the background. The other aptly named "Quiet Room for Montefiore" (available for patients, visitors and staff) is a space set apart for meditative reflection. It is a moderately sized room with three large panels displaying dissolves of subtle colours in patterns that are reminiscent of Mondrian paintings. The environment brings Eno's ambient music into focus and facilitates the visitors' cognitive drift, freeing them to contemplate or relax.
As a thank you to everyone who has supported the REFLECTION app, we are adding a free surprise downloadable gift to it for a limited time. To access it, simply update REFLECTION in the App Store and follow the instructions when you open the app on your device. The download will be available until 28th February [2017].[116] and the App's Apples iTunes page[117]
The version of Reflection available on the fixed formats (CD, Vinyl and download File) consists of two (joined) excerpts from the Reflection app. This was revealed in Brian's interview with Philip Sherburne:
Eno's "light boxes" utilise advances in LED technology that has enabled him to re-imagine his ziggurat light paintings - and early light boxes as featured in Kite Stories (1999) - for the domestic environment. The light boxes feature slowly changing combinations of colour fields that draw attention differently to the shapes outlined by delineating structures within. As the paintings slowly evolve each passing moment is defined differently, drawing the viewer's focus into the present moment. The writer and cultural essayist Michael Bracewell writes that the viewer "is also encouraged to engage with a generative sensor/aesthetic experience that reflects the ever-changing moods and randomness of life itself". He likens Eno's art to "Matisse or Rothko at their most enfolding."[120]
First shown commercially at the Paul Stolper Gallery in London (forming the Light Music exhibition in 2016 that included lenticular paintings by Eno),[121] light boxes have been shown across the world. They remain in permanent display in both private and public spaces. Recognised for their therapeutic contemplative benefits, Eno's light paintings have been commissioned for specially dedicated places of reflection including in Chelsea and Westminster hospital, the Montefiore Hospital in Hove and a three and a half metre lightbox for the sanctuary room in the Macmillan Horizon Centre in Brighton.
The UBS Investor Watch and Arts Economics survey indicated an increased dedication from HNW collectors, who on average purchased more art and antiques in 2021 than they did in 2020. The value of their purchases also rose, with median spend more than doubling and the proportion spending over $1 million also rising dramatically.
Millennial HNW collectors were the highest spenders in 2020, with 30% having spent over $1 million (versus 17% of Boomers). Millennials were also more likely to be active online, reporting greater use of online viewing rooms offered by art fairs and galleries, and social media channels.
The survey revealed differences in behavior across generations: only 3% of millennial collectors had not purchased an artwork in 2020, versus over one third of boomers. The millennial segment also had the largest share of high spenders, with 17% having spent over $1 million in the six-month period, versus just 4% of boomers. Nearly all millennial collectors and most Gen X collectors were actively working with galleries during the crisis, while 40% of boomers reported that they were not actively working with a gallery at this time.
Buyers in this age group averaged a total expenditure of $3 million over two years, according to a survey of 1,300 high-net-worth collectors by UBS Investor Watch and Arts Economics, included in the report. The figure is more than six times the amount spent by boomers.
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Andrea, 25.7.2008: I rediscovered Freemind last week while my proposal for a multi million USDcontract was being reviewed in a tender in a ministry.The reviewer was keeping all details under perfect control at lightspeed, givinghard times to us proposers noticing every single missing or glitch in ourdocuments.
The New South Wales Department of Primary Industries (NSW DPI) launched its $6.7 million AUD Climate Smart Pilots project in 2018. The program trials digital technologies to improve the information generated for farmers regarding natural resources and climate variability across fisheries, horticulture and livestock sectors. As temperatures warm, rainfall regimes change and seasons shift, innovative Internet of Things (IoT) technology can provide early warnings, input control and new ways to manage farming systems. 2ff7e9595c
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