Tomris Laffly is a freelance film writer and critic based in New York. A member of the New York Film Critics Circle (NYFCC), she regularly contributes to RogerEbert.com, Variety and Time Out New York, with bylines in Filmmaker Magazine, Film Journal International, Vulture, The Playlist and The Wrap, among other outlets.
The story focuses on a high school boy who boards with an all-female family. When he discovers that he can turn invisible, it naturally leads to risque situations, particularly involving the girls that he lives with.
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"The Invisible Man" isn't an easy watch (I nearly jumped out of my seat on more than one occasion) but its messages about gender and violence, combined with a masterful performance by Moss and some truly terrifying scares, make it one of the year's most important films.
While Wells' 1897 novel (and the subsequent 1933 film adaptation) focused on the titular invisible man as he wreaks havoc on a small town after experimenting on himself, Whannell's timely new film instead has Adrian use his invisibility as a cold and calculated scheme to continue tormenting and abusing his partner, Cecilia.
Adrian's control over Cecilia is made obvious from the very start of the film. After she wakes up in the middle of the night to begin her escape, she must disable numerous alarms and security cameras before she's able to flee. As she tells her childhood friend James (Aldis Hodge), Adrian controlled everything about her life: what she ate, what she wore, when she left the house, and eventually, what she thought.
What "The Invisible Man" does so well is that it portrays the harassment and abuse, ranging from well-meaning microaggressions to physical violence and emotional manipulation, that women face on a daily basis, with or without an invisible man stalking them.
Live action adaptation of the cartoon and comic. The story focuses on a high school boy who boards with an all-female family. When he discovers that he can turn invisible, it naturally leads to risque situations, particularly involving the girls that he lives with.
Description: Live action adaptation of the cartoon and comic. The story focuses on a high school boy who boards with an all-female family. When he discovers that he can turn invisible, it naturally leads to risque situations, particularly involving the girls that he lives with.
Jae Won Chung is a PhD candidate in Modern Korean Literature at Columbia University in New York. He is writing a dissertation on representations of everyday life in literature, photography, film, and essays in postwar South Korea.
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